Barricading the Ice Sheets

A research endeavor by Oliver Ressler

Solo exhibitions:

Camera Austria, Graz (AT), 04.09. – 21.11.2021
Museum of Contemporary Art Zagreb (HR), 30.11.2021 – 06.02.2022
n.b.k. – Neuer Berliner Kunstverein, Berlin (DE), 04.06. – 31.07.2022
Tallinn Art Hall, Tallinn (EE), 27.08. – 06.11.2022
LABoral Centro de Arte y Creación Industrial, Gijón (ES), 28.01. – 09.09.2023
The Showroom, London (UK), 18.04. – 24.06.2023

“Every round-trip ticket on flights from New York to London costs the Arctic three more square meters of ice”, Digital print on dibond, framed, 102,36 x 73,57 cm, 2019 (Visualization: estudio elgozo)

Barricading the Ice Sheets investigates climate breakdown, the climate justice movements and the relation of the latter to the arts. The research endeavor materialized as videos, photographic works, a conference, publications and a cycle of solo exhibitions.

30 years of failed climate negotiations under the framework of the United Nations have not reduced global carbon emissions at all. Consequently, global temperature is still rising. This inaction on the part of nation states has led people to take action themselves, without representation. Horizontally organized climate movements have emerged all over the world. Polite protest is a thing of the distant past: the movements have blocked fossil fuel extraction sites and transport routes, mobilized against airport expansion, run successful divestment campaigns, and halted Arctic drilling. These actions intend to economically undermine the fossil-fuel industry.

Many people still see personal behavior change as a solution to the climate disruption. Admirable as it may be to take a train instead of a plane, eat vegetables instead of meat, or put solar panels on a residential roof, private gestures of good faith are not equipped to stop epochal climate vandalism on a planetary scale. Planetary life is more than consumer behavior. Our powers and responsibility as inhabitants of the Earth are collective and social, not private and personal. Powerful structures, not personal decisions, force us into lives that destroy livelihoods, devalue life and ultimately endanger survival. We who suffer from those structures are collectively implicated in them, which is why they must be changed by our collective action.

The title Barricading the Ice Sheets refers to the scale of the emergency the climate justice movements face and the scope of what they set out to do. To barricade ice sheets as they melt is physically impossible, but the movements are attempting something historically unprecedented, because the planet has never in recorded human history confronted so absolute a threat. When Arctic ice melts, sea levels rise everywhere; islands and cities sink, global exploitation of agriculture and fisheries lurch off schedule.

Barricading the Ice Sheets records and documents some exemplary mobilizations, activities, assemblies and work meetings of the climate movements. No “neutral” position exists from which a social movement could be merely documented. Every decision – concerning how and what to record, what to omit or the inclusion/exclusion and editing of the activists’ direct speech – must be recognized as simultaneously conditioned by and constitutive of the relation to that movement. Consequently, the artistic production drawn from the research includes material that might momentarily be seen as straightforwardly “documentary”, along with other elements where the “artistic” engagement is more obvious. Any sustained attention to the work, however, will reveal its systematic blurring of any artificial line between “document” and “artwork”.

On February 28 and 29, 2020, the two day-long conference Barricading the Ice Sheets took place at the projects research institution Camera Austria in Graz. The conference brought together five internationally respected climate movement protagonists working between art and activism. The artist-activists discussed the movements’ methods, purposes, its past and future. The conference was fully documented and can be streamed online.

Conference Camera Austria, Graz, 28-02-2020
OLIVER RESSLER: Introduction, AKA NIVIÂNA: Is Climate awareness for everyone?
Conference Camera Austria, Graz, 28-02-2020
JOHN JORDAN: Beautiful trouble: A handful of principles for creative resistance
Conference Camera Austria, Graz, 29-02-2020
STEVE LYONS: Museum as movement infrastructure
Conference Camera Austria, Graz, 29-02-2020
MARTA MORENO MUÑOZ: Art practice and activism in times of collapse
Conference Camera Austria, Graz, 29-02-2020
NNIMMO BASSEY : Ecocide or life

The encounter of these five artist-activists was also used for a separate film production on the role of artists in the climate movements.

Barricade Cultures of the Future, 4K video, 38 min., 2021

Overturn the Present, Barricade the Future, 4K video, 10 min., 2021


“Not Sinking, Swarming”, 4K video, 37 min., 2021

Examples of other work carried out under the framework of Barricading the Ice Sheets:

Not Sinking, Swarming, 4K video, 37 min., 2021

A-Anti-Anticapitalista, 4K video, 2 min., 2021

The Path is Never the Same, 4K video, 27 min., 2022

The Desert Lives, 4K video, 55 min., 2022

Ancestral Future Rising, 4K video, 20 min., 2023

Property Will Cost Us the Earth, drawing, 2021

Drillbit, tripod sculpture, 2021


Published books:

Barricading the Ice Sheets. Artists and Climate Action in the Age of Irreversible Decision, Oliver Ressler (Ed.), Graz: Edition Camera Austria, 2020

Oliver Ressler. Barricading the Ice Sheets, Corina Apostol, Marius Babias, Reinhard Braun, Pablo DeSoto, Gabriela Salgado, Leila Topić (eds.), Cologne: Verlag der Buchhandlung Walther und Franz König, 2023

Research Associate: Lisbeth Kovacic

“Barricading the Ice Sheets” is a research endeavor by Oliver Ressler and supported by the Austrian Science Fund (FWF: AR 526).